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New Media & AudioVisual
Home for New Media Art, AudioVisual works, projection mapping and experimental performances.
NeoKin: Listening (the Path) to Interspecies Kinship
Can we listen to those whose voices are fading into silence amid the ecological crisis and human aggression? NeoKin reimagines a fragmented ecosystem, once thriving, now disrupted. Within this damaged landscape, Physarum polycephalum navigates a terrain of e-waste and fossils, embodying resilience where nature and culture are now inextricably intertwined.
Inspired by Ukraine’s war-altered environments, global social unrest, and environmental crisis, NeoKin amplifies nonhuman voices, mirroring both the destruction and regeneration of landscapes affected by conflict. This immersive film, based on time-lapse footage of Physarum’s growth, transforms into a shifting map of Ukraine, mirroring how living systems navigate volatile environments. It acts as a bridge between the micro and macro scales, between the small, fragile existence of Physarum and the vast, war-altered terrains of Ukraine.
Through these interconnected elements, NeoKin challenges anthropocentric perspectives and redefines home as a shared, evolving space where technology, biology, and land intersect in an ongoing negotiation of survival, adaptation, and resilience. Hopefully, we can learn how to regenerate and live within balanced ecosystems.
Inspired by Ukraine’s war-altered environments, global social unrest, and environmental crisis, NeoKin amplifies nonhuman voices, mirroring both the destruction and regeneration of landscapes affected by conflict. This immersive film, based on time-lapse footage of Physarum’s growth, transforms into a shifting map of Ukraine, mirroring how living systems navigate volatile environments. It acts as a bridge between the micro and macro scales, between the small, fragile existence of Physarum and the vast, war-altered terrains of Ukraine.
Through these interconnected elements, NeoKin challenges anthropocentric perspectives and redefines home as a shared, evolving space where technology, biology, and land intersect in an ongoing negotiation of survival, adaptation, and resilience. Hopefully, we can learn how to regenerate and live within balanced ecosystems.
How It's Unmade: MetaReality
Are we fortunate enough to trust in ourselves, rather than surrender to the whims of algorithms and artificial intelligence? As humanity hurtles towards an uncertain future, the artwork beckons us to reconsider our relationship with technology and reconnect with the natural world that surrounds us.
This piece unfolds as a dynamic, time-based experience, mirroring the perpetual flux of our digital environment. Generative graphics cascade across the canvas, symbolising the volatility of luck and the unpredictability of our digital interactions. Within this immersive visual tapestry, viewers confront a barrage of symbols, and visual messages, echoing the incessant bombardment of information that characterises contemporary life.
In a world where less is often overshadowed by the allure of more, the artwork serves as a poignant reminder of the importance of reclaiming control over our lives and embracing simplicity amidst the chaos of technological progress.
This piece unfolds as a dynamic, time-based experience, mirroring the perpetual flux of our digital environment. Generative graphics cascade across the canvas, symbolising the volatility of luck and the unpredictability of our digital interactions. Within this immersive visual tapestry, viewers confront a barrage of symbols, and visual messages, echoing the incessant bombardment of information that characterises contemporary life.
In a world where less is often overshadowed by the allure of more, the artwork serves as a poignant reminder of the importance of reclaiming control over our lives and embracing simplicity amidst the chaos of technological progress.
Innocent: like a dog or an alien
Delving deep into the profound concepts of the impermanence of all things and beings, echoing a sense of liberation within... This work portrays an evolving realm where the ephemeral nature of living is celebrated rather than mourned. A constantly shifting landscape where beauty and chaos exist side by side, intertwined and inseparable. This project is the starting point of research into the relationships with the discarded unseen, featuring found objects, digital sensing and interactivity within a constantly transforming installation, that never stays the same, just like any landscape.
This piece is an interactive creature made from discarded bandsaw blades, found and upcycled wood with an integrated motor and movement detection technology. Sensing anyone approaching, it produces sharp metal sounds like an outer-space drum machine. Surrounded by the collected e-waste in its first version this piece had several transformations with a flipped remake. Further versions of the ‘Innocent’ installation showcased the evolution of relationships with the discarded, as between an author and subject/object.
The central figure in this work is a creature both innocent and otherworldly. Though formed from blades, they are rendered harmless; dulled by time, they no longer cut. Yet, as one approaches, a sharp metallic sound is triggered, produced by a motorized rod that strikes each blade in a rhythmic, circular motion. These percussive sounds are reminiscent of an outer-space drum machine, unfamiliar yet deeply human. This sound becomes a metaphor, reflecting the circular, spiral movement of human history, mirroring my nation's ongoing struggle for independence. The blades, though innocent, emit a cry, a song of resistance and resilience whenever touched by an external force.
This piece is an interactive creature made from discarded bandsaw blades, found and upcycled wood with an integrated motor and movement detection technology. Sensing anyone approaching, it produces sharp metal sounds like an outer-space drum machine. Surrounded by the collected e-waste in its first version this piece had several transformations with a flipped remake. Further versions of the ‘Innocent’ installation showcased the evolution of relationships with the discarded, as between an author and subject/object.
The central figure in this work is a creature both innocent and otherworldly. Though formed from blades, they are rendered harmless; dulled by time, they no longer cut. Yet, as one approaches, a sharp metallic sound is triggered, produced by a motorized rod that strikes each blade in a rhythmic, circular motion. These percussive sounds are reminiscent of an outer-space drum machine, unfamiliar yet deeply human. This sound becomes a metaphor, reflecting the circular, spiral movement of human history, mirroring my nation's ongoing struggle for independence. The blades, though innocent, emit a cry, a song of resistance and resilience whenever touched by an external force.
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